Tag Archives: St. Joseph’s Academy

The Common Autograph Poems of St. Joseph’s Academy Students

This is a guest post by Addison Pickett, our intern for the summer and a member of the Mount St. Mary’s University Class of 2028!

Keeping autograph books was a common practice for students in the 19th century to remember their classmates and friends from their school years. Autograph books were eventually replaced by the autograph pages in yearbooks and are now a relic of their time.

While the go-to for 21st century students are writing things like ‘HAGS,’ ‘Stay Cool!,’ or their phone numbers, students of the 19th century often recited small poems with themes of friendship and remembrance alongside their signatures. The autograph books of Emma Moore and Mame from St. Joseph’s Academy in Emmitsburg, Maryland are no exception. These autograph books date from 1885 and 1886, respectively, and hold signatures from as late as 1892. These books shed light on the thoughts and feelings of high school girls in the 1880s.

Portion of Emma Moore's scrapbook, page 25
From Emma Moore Scrapbook, page 25: “When rocks and hills divide us, / And you no more I see, / Remember it was Tiphine, / Who wrote these lines to thee. Yours Sincerely, Tiphine Burnbach”
Portion of Emma Moore's Scrapbook, page 55
From Emma Moore Scrapbook, page 55: “When mountains and hills divide us, / And you no more I see, / Remember it was Ella, / That traced these lines for thee. Your fond friend, Ellen [Ella] Melia”

This poem was a very common recitation in autograph books of the 19th century, and even provides a space to write one’s name within the poem. There are many different variations of the poem, and these two entries showcase that. While Tiphine writes “rocks and hills,” Ella writes “mountains and hills,” perhaps feeling it was more apt for their home on St. Joseph’s Vale. At the end of the poem, as well, Tiphine writes “who wrote these lines to thee,” whereas Ella says “who traced these lines for thee.”

From the Autograph Book of Mame, page 15: “Drop one pearl in memory’s casket for your loving friend M. A. May”

From the Emma Moore Scrapbook, page 42: “In memory’s casket drop one pearl for your schoolmate and friend Annie Farrell”

Another common “Forget-Me-Not” poem from the 19th century, this poem uses the imagery of dropping pearls into a casket as symbolism for remembering old friends. A variation of these lines are even featured in the 1881 book “New Choice Selections for Autograph Books: Comprising Original and Selected Friendly, Affectionate, Humorous and Dedicatory Verses, Suitable for inscription in Autograph Albums, on all occasions.”

From the Autograph Book of Mame, page 51: “Memory consecrates these lines, / Friendship holds them dear, / May they often call to mind / The friend that placed them here. Sincerely your friend Louisa McSherry”

Portion of Emma Moore's scrapbook, page 61
From the Emma Moore Scrapbook, page 61: “Memory consecrates these lines, / Friendship holds them dear, / May they often call to mind / The friend that placed them here. Marie Duperier”

While this poem holds no variation between Louisa and Marie’s entries, there is no record of the verse online. Perhaps lack of variation and availability online shows that this was a more unique or contained “Forget-Me-Not” poem. It is a simple poem that simply calls for remembrance of friendship.

From the Autograph Book of Mame, page 17: “Gather ye rosebuds while ye may, / Old time is still a-flying, / And that same flower that blooms today, / Tomorrow may be dying.”

From the Emma Moore Scrapbook, page 6: “Gather your rosebuds while you may, / Old time is still a-flying, / And the same flower that smiles today, / Tomorrow may be dying.”

This poem is titled ‘To The Virgins, Make Much of Time,’ and was written by Robert Herrick in 1648. Departing from themes of remembrance and friendship, Herrick’s poem is often described as a “Carpe Diem” poem about making the most of your life. Besides “Forget-Me-Not” poems, themes of living well were also very common in these two autograph books. Interestingly, Julia O’Keefe errs from the original poem when she writes “that same flower that blooms,” instead of “that same flower that smiles.” Julia likely misremembered the line or learned the poem from someone who misremembered.

These poems display the traditions and culture of 19th century schoolgirls, revealing their interests and desires as well as love for their friends. The 19th century can seem so foreign to the modern age, but small traditions like these autograph books show that humans are always united by their love and care for one another.

References:

https://queensu.scholaris.ca/server/api/core/bitstreams/c710c6f7-b9d6-4d6d-9fd2-751b5f8a645a/content

https://ameshistory.org/content/autograph-book-verses

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Filed under Archives, St. Joseph's Academy

Building the Emmitsburg History Exhibit

Near the end of 2024 and the start of 2025, we knew we needed to create a new exhibit for 2026, the year commemorating the United States 250th.  

As we looked for guidance from the America 250 Commission, we also began to look at our own collections.  At the time, the America 250 was encouraging state and local organizations to do the bulk of the work, connecting people with their most directly accessible history.  In this spirit, we thought, what can be more local than curating a history of Emmitsburg?

We began to examine our collections, which were heavy on materials from Mother Seton and her family and from the Daughters various ministries across the United States.  We had materials from their ministries in Emmitsburg, including St. Joseph’s Academy/St. Joseph College, a major institution in the town since the time of Mother Seton.  We had records and artifacts from some of the local schools the Daughters operated.  We had accounts of the Civil War detailing life in Emmitsburg, which by sheer luck did not become Gettysburg in the War and in historical memory, but we did not have many artifacts.  And we had records and a few artifacts from the Emmitsburg railroad, a point of local pride and, at one time, the smallest incorporated railroad in the United States.

Bell from Train Station

This exhibit quickly became our most research-heavy exhibit, one that extended past the collections that are in our possession.  We began to dive into the history of the town beyond our collection scope, utilizing the resources of the Emmitsburg Historical Society and various school alumni organizations.  We began to identify themes and marquee artifacts for display, settling on a drill press from the late 1800s as a nod to the town’s agricultural history; a crocheted afghan from the 1870s that was created by an Academy student; and a terracotta angel that was in the Academy Chapel, which later became the National Fallen Firefighters Memorial Chapel.  We also worked with our neighbors to secure loans of materials, ensuring that the exhibit tells a story of the town, not just of Mother Seton or the Daughters.

Drill Press on Display

We also used this opportunity to explore the undertold story of Emmitsburg’s longstanding African American community.  Even in the Antebellum era, generations of families, often consisting of free and enslaved individuals, can be found in the historical record.  The town’s history therefore touches on the hardships of slavery and the persistence of a community.  We even get the chance to display an artifact from a point of pride in the town – a school desk from St. Euphemia’s, the first school in Frederick County to desegregate.

St. Euphemia's School Desk

We began to look for other types of materials to show: tangible three-dimensional artifacts alongside posters and “wordier” pieces, photographs where able, and even films!  Amongst them, we have quote-unquote “annotated” a silent video from the 1940s that shows the St. Joseph College campus and surrounding areas and received permission from the National Fallen Firefighters Foundation to utilize a commissioned music video that features the moving lyric “I’m going home to Emmitsburg.”

Helmets, hats, and belts on display, loaned from Vigilant Hose Company

We have also sought ways to incorporate some level of interactivity into our exhibits.  We invite children to map out the pathways of Civil War soldiers in the leadup to the Battle of Gettysburg, and we invite everyone to explore (reproduced) historical maps from the collection of the town, often with details down to individual properties.  This afforded a way to include many of the small stories that are often hard to include in extensive detail in an exhibit like this!

Maps on Display with title "From Way Back When to Now"

“Emmitsburg: From Way Back When to Now” opens to the public on Saturday, April 11, 2026 and will run through the holiday season 2027.  We are located in the Archives gallery of the Seton Shrine.

Welcome to Emmitsburg everybody!

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Filed under African American History, Announcements, Archives, Artifacts, Emmitsburg

Visiting Pope Leo XIII

With the election of Pope Leo XIV in 2025, we thought it would be worthwhile to look into the figure from whom the new pontiff took his name, Pope Leo XIII. 

Elected in 1878, he is most well-known for his encyclical Rerum Novarum.  In this document, Leo XIII  formally articulated the principals that today define Catholic social teachings.  In this, he addressed the conditions of the working poor and what is owed to those living in poverty.  His concern for those living in poverty formed an almost natural affinity between His Holiness and the Vincentian double family: the Vincentian priests and the Daughters of Charity.

Prayer Card for Pope Leo XIII

In 1893, the Superiors of the Vincentians and the Daughters of Charity had an audience with Pope Leo XIII.  The account of this meeting is in the Archives dated January 26, 1893, held to celebrate the founding of the Vincentians.  Joining them were students of the Daughters of Charity from Rome.

Father Antoine Fiat, Superior General of both communities, provided his gratitude at the Pope’s guidance in Rerum Novarum:

Your admirable encyclicals shed floods of light like to those pharos [lighthouse] that indicate from afar to mariners the course to take in order to escape the dangers of the Sea and reach the harbor in safety. Most Holy Father, the Congregation of the Mission [formal name for the Vincentians] makes it a duty to follow the intellectual movement originated by Your Holiness and to second your views and your efforts.

Portion of account of visit with Pope Leo XIII

In response to Father Fiat’s address, Pope Leo XIII addressed the Vincentians and Daughters in French, the language of their founders and superiors, despite himself being a native Italian.  He shows particular fondness for the schools the communities conduct around Rome, and seems to show favor toward the ongoing (at the time) cause for sainthood for Louise de Marillac.

Even though no American Daughters were part of this audience, it was still celebrated in the United States.  The Provincial Annals contain a letter by Sister Caroline Eck, writing from St. Joseph ‘s Academy in Emmitsburg, Maryland.  The Sisters and students at the Academy were met by Cardinal Francesco Satoli, the first official Apostolic Delegate to the United States, who recounted the meetings between the Holy Father and the French Superiors.  The students and staff celebrated this (at the time) highest meeting of a church official with the students, emphasizing the global nature of the Daughters and the internationality represented by the Catholic Church!

Program from days' events at St. Joseph's Academy
Program from days’ events at St. Joseph’s Academy

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Filed under Daughters of Charity, Leo XIII, Social Justice