The Ventures of the S.S. Umbria & S.S. O.B Jennings

By Nathaniel Bentz, Mt. St. Mary’s University Class of 2020, Archives Intern/Guest Contributor

My name is Nathaniel Bentz and I am a senior undergraduate student of Mount St. Mary’s University with a history major and English minor; this is my second semester interning at the Daughters of Charity Provincial Archives. During my first project of this Spring 2020 semester, I am processing and numerically labeling documents from Sisters during their service in World War One. I have come across a report about a daring battle and recovery from a German submarine attack. The document transcribes reports of crew members from the attacked oil tanker, known as the S.S. O.B. Jennings, mentioning the first signs of the attack, maneuvers and actions taken to escape the torpedoes and get the crew onto the life boats, interactions with the enemy after the surprise attack, and the events occurring after their rescue and safe return to ally territory.

The Sisters’ service was predominantly on the Italian front of the war. The creation of this report is interesting because—even though the report was typed around late August. The entire document is typed by the captain of the steamboat, S.S. Umbria, Capt. Thomas C. Myers M.R.C., which rescued the soldiers from the bombarded oil tanker. Following Capt. Myers’ transcribed reports of the S.S. O.B. Jennings crew members, he offers an extensive summary about the trip before and after they encountered and rescued those of the S.S. O.B. Jennings; the summary broke down the events day-by-day with some broken down into exact hours. The first crew member of the S.S. O.B. Jennings interviewed is Thomas McCarthy and his statement contains some interesting details about the attack itself, “The first thing [sic] noticed was a torpedo which passed 5 feet astern. A battle ensued continuing two and one half hours with submarine out of sight range 9 miles. Exchange fire, hit the Jennings 15 to 20 times, an explosive shell striking the engine room and causing surrender at 11:15 A.M.”.

Such a siege made by the German submarine sounded impressive—but fortunately there was only one fatality.

The events that occurred next were suspenseful: the Captain of the defeated S.S. O.B. Jennings was able to narrowly escape capture by the German soldiers by disguising himself as a civilian. According to the report, “As the submarine came alongside the German officer asked for the Captain of the Jennings, but was told that he was dead, the Captain having donned civilian attire”.

This daring opportunity for escape did not seem like it would work too well, given that the crew of the S.S. O.B. Jennings was cornered in the sea by their armed enemy with only lifeboats as safety. McCarthy’s report concluded bittersweet; the German submarine decided to record the condition of the S.S. O.B. Jennings following up with more torpedo-firing as the crew of the S.S. O.B Jennings were being rescued by the S.S. Umbria.

The next report was told by a soldier by the name of Fred Lebern, who offered a similar report in comparison to McCarthy’s, but with the addition of, “I, being in charge at the time, ordered the helm a starboard, which brought the vessel parallel to the course of the torpedo, causing to pass 5 feet astern”.

This extra detail is fascinating in knowing how close of a call the S.S. O.B Jennings was in at the beginning of the surprise attack by the German submarine. Lebern’s quick thinking was able to both alarm the S.S. O.B. Jennings of an attack while also alarming others to maneuverer the vessel just to the point of barely dodging the power of a torpedo. The other details before and after this command were the same as McCarthy’s report.

The final portion of this typewritten document is a report by a crew member of the S.S. Umbria (presumably by Capt. Myers himself). The detail is strong, covering main moments of the vessel’s whole trip from the state of New York to their destination in Italy. Near the very beginning of this report is the detail about discovering the stranded men of the S.S. O.B. Jennings, hearing their stories and examining their injuries before they were shipped back to the United States. What caught my attention was a small detail in this portion of the report, before the ship sailed it is reported that “Officers and Enlisted men of Unit 102 came from Gen. Hospital No. 2 Baltimore [along with] …the Nurses and Sisters of Charity”.

Even before they arrived in Italy, the nurses were witnessing war and seeing, firsthand, the power of their enemy. After this highlight, the rest of the report goes into detail about the drills they were running, which islands they saw, and which allied ships they sailed near. One of the more interesting details involves seeing allied ships, “we were told [it] was Spain and that we could soon enter the harbor of Gibraltar. It was indeed a beautiful sight. The harbor was filled with ships from all nations of the Allied and Neutral powers, ships of all kinds”.

In the middle of day-to-day life in a Nurse Corps, full of rule changes and regulations, such a sight to describe helps in showcasing how different this document is in comparison to the rest of the invaluable documents of 1918: telegrams and letters regarding pertinent rule changes and enlistments. All documents of this collection are important because they allow researchers to recognize the routines and responsibilities of roles in World War One that most do not initially think of: the role of the nurse. Also, this collection highlights an important moment in world history, and given this, it emphasizes the dedication the Daughters of Charity has on their mission of caring for others in need no matter the setting.

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The Emmitsburg Community Chorus and Sister Jane Marie Perrot

When Sister Jane Marie Perrot was a child, she asked her parents if she could take piano lessons.  The ongoing Depression meant that her parents had to say, “no;’ they couldn’t afford them. When Sister mentioned this to Sister Loretta Larking, one of the Daughters of Charity who taught her at St. Joseph’s Academy in Portsmouth, Virginia, Sister Loretta made sure that the young child would have music in her life.  Thus began a career and a vocation for Sister Jane Marie.

Sister Jane Marie Perrot

Sister began teaching music at her first mission at St. Ann’s School in Bridgeport, Connecticut.  At nearly every school where she taught, Sister Jane Marie would, at least part of the time, be involved with children and their appreciation of the arts.  In addition to her teaching duties, she studied organ at the Peabody Conservatory and received a Master of Arts from The Catholic University in 1952.  She eventually became the music director at St. Joseph’s Central House and St. Joseph College in Emmitsburg in the mid-1960s.

When the reforms of Vatican II were introduced, Sister Jane Marie was not one to shy away from a new era of Church history.  She used music and song to “open up” worship, and, in postulant formation, emotional and experiential forms of evangelization.

Among her evangelization projects was the Emmitsburg Community Chorus, which continues today more than 20 years after Sister Jane Marie’s death.  The chorus began with amateur singers from parishes in Frederick and Carroll Counties in Maryland and Adams County in Pennsylvania.  Known for its yearly Christmas concerts that take place in the Basilica of Saint Elizabeth Seton, it also performed around the Frederick, Western Maryland, and Gettysburg areas.  Sister Jane Marie served as the director from 1968-1973.

In 1975, the world received news of the canonization of Elizabeth Seton, the founder of the Community in Emmitsburg and the first native-born North American saint.  At the invitation of the Vatican, the Emmitsburg Community Chorus, 45 strong, traveled to Rome to sing alongside musicians from the U.S. Army bands stationed in Germany and the Sistine Chapel Choir in St. Peter’s Square for the assembled crowds and St. Pope Paul VI as part of the canonization ceremony.  Sister Jane Marie took up the baton for the Chorus once again.  She became the first woman to conduct a choir in St. Peter’s Square.

Sister Jane Marie before performance in Rome
Sister Jane Marie “in action” in upper right-hand corner conducting the Emmitsburg Community Chorus
Arrangements and logistics for the performance in Rome

Sister Jane Marie was highly respected in the world of music education.  In 1978, she co-founded with Father Virgil Funk the National Association of Pastoral Musicians, receiving the Association’s award for Educator of the Year in 1996.  She was responsible for an arrangement of the Christmas Novena, performed by the American Daughters of Charity each year before Christmas, and she composed several other hymns.

In 1982, Sister Jane Marie was involved in an automobile accident, severely restricted use of her left arm after a car accident.  Afterward, she was unable to conduct in her preferred vigorous, expressive style.  This did not mean, however, that she could not compose or arrange music, and she continued to direct celebrations, liturgies, and arrange music at the Seton Shrine before her entry into the Ministry of Prayer in 1988. Sister died in December 1998.

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Filed under Canonization, Emmitsburg Community Chorus, Sister Jane Marie Perrot